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Manuel de l'Utilisateur

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Frequently asked questions

WHAT IS THE DIFFERENCE BETWEEN THE ORCHPLAY PRO AND ORCHPLAY PRO FOR STUDENT VERSIONS?

The ORCHPLAY PRO and ORCHPLAY PRO FOR STUDENT versions are identical but students are offered a special discount price.

IS IT POSSIBLE TO HAVE THE SCORE BE IN SYNC WITH THE AUDIO FILE (SCORE FOLLOWER)?

Yes, this is a new feature OrchPlay v1.8. For the time being that feature is only possible on Mac.

WHAT IS THE MOST CHALLENGING PIECE YOU ARE PLANNING TO PRODUCE?

Quite an interesting question! The difficulties are dependent on the number of individual instrumental parts but also on the complexity of each individual part (multiple variations in articulation, phrasing, dynamic, timbre, etc.). We have already produced piece excerpts that feature more than 40 instrumental parts like Vaughan Williams' London Symphony, Richard Strauss' Tod und Verklärung or Debussy's La Mer. Mahler large symphonies (for ex. Nr.6) or Stravinsky's Le Sacre du Printemps can feature up to 60 independent parts! We are very much looking forward to pick up the challenge!

WHAT IS THE DIFFERENCE BETWEEN THE ORCHPLAY PRO (STUDENT) AND ORCHPLAY PRO TEACHER VERSIONS?

The ORCHPLAY PRO TEACHER version gives you more options than the ORCHPLAY PRO and the ORCHPLAY PRO STUDENT versions. The idea is to provide specific material the teacher can use for classwork, assignments or exams.
Here is a little scheme that will provide some clarification:

ORCHPLAY PRO // ORCHPLAY PRO TEACHER
IDENTICAL FEATURES:
One year subscription to the OrchPlay Music Library
Plays OrchPlay multichannel files
Controls all instruments of the orchestra
Study scores print-ready in pdf
Orchestra Window; Mixer/Stage
Measure Locator and advanced Bookmarks functions

**ORCHPLAY PRO TEACHER
**ADDED OPTIONS:

+PLAYS ADDED AUDIO REDUCTIONS for piano and piano versions in several pieces.
In the MIXER VIEW, the REDUCTIONS channels at the bottom right are ACTIVATED.

+ADDED PDF REDUCTIONS for piano and piano versions + empty scores in several pieces. They are great for assignments or classwork:
Students can be asked to reconstruct an orchestration from a reduction listening to the orchestra (parts, sections or families) or to provide their own. The teacher provides the print-ready template.

+ADDED PIECES reserved for teachers that can be given as assignments.
Those are orchestrations of a specific piano piece for which the original composer has not written one or when no published one exists.
We have provided professional orchestral versions that can serve as examples for the students to be discussed in class.
Typically, the teacher would distribute the empty orchestral score with only the piano part to the students and ask for an orchestration, or could also do the reverse and ask for a full reduction or piano version from the full score.

If you go on the website under "OrchPlay Music Library", you will see that some pieces are marked "reserved for teachers" when you click on them. The ORCHPLAY PRO TEACHER license allows you to download them.
This is the case for the moment for the following pieces:
Berlioz_SymphFantastique-Choral_v(205-215)
Chopin_NoctOp48_1(1-24)
Chopin_PrelOp28_4(25 mes)
Chopin_PrelOp28_20(13 mes)
Chopin_PrelOp28_22(41 mes)
Chopin_PrelOp28_9(12 mes)
Chopin_PrelOp28_9(12 mes)
Chopin_NoctOp37_1(1-42)
Schumann_AlbumJung_1(20 mesx4)
Dvorak_NewWorld_ii(1-5)
Debussy_Arabesque_I(1-46)
Debussy_SuiteBergam_iv-Passepied(1-22)
Debussy_SuiteBergam_i-Prelude(89 mes)
StraussR_DonJuan_(37-40)
Joplin_EliteSync_Part-I(148 mes)_6Perc(1-84)+piano(148 mes)

COULD YOU EXPLAIN THE DIFFERENT PDF FORMATS FOR THE SCORES AND WHICH MUSICAL EXCERPTS ARE AVAILABLE IN EACH FORMAT?

PRELIMINARY NOTE: The pdf SCORES featuring the available reductions and piano versions as well as the corresponding audio channels (in OrchPlay's Stage View) will be found in the TEACHER version only. But this FAQ also provides general info on all orchestral scores provided by OrchPlay.

I) OrchPlayMusic (OPM) pdf scores are designed as "STUDY SCORES". What we mean by that is that the format and layout of those scores is such that the teacher can print them and use them in the classroom or for assignments.
I.1 The actual size and spacing of the staves makes it possible to directly write into the printed scores with a pencil or pen.
I.2 Depending on the size of the orchestra, the format can be: Letter (8.5x11 in), Legal (8.5x14 in), Tabloid (11x17 in) or Double Tabloid (two 11x17 sheets on top of each other totalling 11x34 in).
NOTE: Published orchestral scores are more compact, in order to minimize page turns and provide a better overall view for the conductor. OrchPlayMusic scores are meant to be used for orchestration work and provide space to try out many different orchestration possibilities.

II) OPM scores are always organized in the following fashion and PROVIDE:
II.1 (from the top of the page): All staves for the instruments involved in a particular piece in the classical family ordering. No staff is left out when an instrument is not playing.
II.2 (bottom of the page) A series of Grand Staves to be used for

  • FULL REDUCTIONs: All notes actually played by the orchestra; an "unplayable analytical score" from a pianistic point of view.
  • SELECTIVE REDUCTIONs: Per family, for ex.: WWinds, Brasses, Strings; all notes played by a specific instrumental family.
  • PIANO VERSIONs: Playable versions by a pianist, involving a selective approach and idiomatic adaption.

II.3 The REDUCTION staves names always include in parentheses the audio channel they are recorded on in the OrchPlay Player's Stage View when available.
NOTE-1: Not all scores feature reductions and piano versions, and some of them for certain sections only (see point IV).
NOTE-2: Even if reductions or piano versions are not available, the empty staves are provided for classwork or assignments.
NOTE-3: The pdf SCORES featuring the available reductions and piano versions as well as the corresponding audio channels (in OrchPlay's Stage View) will be found in the TEACHER version only.

III) SCORES in C: OPM provides all scores in C ("sounding"). While working with transposed scores is integral part of the orchestrator's "métier", experience in the classroom has demonstrated that students come up with more sensible results (and faster) when they work "in C". OPM will be pleased to also provide transposed scores in the future if there is a need.

IV) DIFFERENT VERSIONS of the score (TEACHER version):
IV.1- ORCH
IV.2- ORCH+REDUC
IV.3- ORCH+piano
IV.4- ORCH+REDUC+piano
IV.5- other instrumental formations (such as BRASS_REDUC, STR+REDUC, etc.)

V) EXCERPTS or FULL MOVEMENTS
The "OrchPlay Music Library" MENU on the website lists very precisely what is available for each piece. Columns "PIECE" and SCORE INFO" provide the exact details:

For ex.:

COMPOSERPIECESCORE INFOMozartSymph35K385 iii(1-8)ORCH+REDUC+piano(1-8= mes. excerpt)(full orchestra+reduction+piano version for the whole excerpt)

The TEACHER will find the following scores in the "Embedded Documents" middle section of the Drawer:
1- Mozart_Symph35K385_iii(1-8)_ORCH.pdf
(Orchestral score with empty staves for reduction and piano version)
2- Mozart_Symph35K385_iii(1-8)_ORCH+REDUC+piano.pdf
(Orchestral score with reduction and piano version)
3- Mozart_Symph35K385_iii(1-8)_piano.pdf
(piano version with empty staves for the rest)
4- Mozart_Symph35K385_iii(1-8)_REDUC+piano.pdf
(reduction + piano version with empty staves for the orchestra)

COMPOSERPIECESCORE INFODebussyLa Mer i(141 mes)ORCH+REDUC(122-141)("mes"= whole movement)(full orchestra+reduction provided for mes. 122-141 only)

The TEACHER will find the following scores in the "Embedded Documents" middle section of the Drawer:
1- Debussy_La Mer_i(141 mes)_ORCH.pdf
(Orchestral score with empty staves for reduction and piano version)
2- Debussy_La Mer_i(141 mes)_ORCH+REDUC(122-141).pdf
(Orchestral score with reduction for mes. 122-141)
3- Debussy_La Mer_i(141 mes)_REDUC(122-141).pdf
(reduction for mes. 122-141 with complete empty orchestral score)

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CAN ORCHPLAY READ STEREO AUDIO FILES?

a) You can also IMPORT a stereo audio file into an .opl file with the function "Import Stereo Audio File" at upper left of the OrchPlay Library. A selection window will open and ask to select the specific file(s) and a Metadata window will be displayed, allowing you to select or create a composer, conductor, artist, album, etc. The new .opl files will then be in your library.

b) You can also LINK to a stereo audio file (or any other document) to an OrchPlay (.opl) file by drag-and-dropping it to the centre lower column of the INFORMATION DRAWER. A simple double-click will then open those documents with their associated software.

IS IT POSSIBLE TO LISTEN TO MULTICHANNEL AUDIO .OPL FILES ON THE WEBSITE?

This possibility is reserved to OrchPlay Music Library subscribers who download the multichannel audio .opl files. On the other hand, all stereo mix can be listened to from the website and downloaded at will in .mp3 format.

MAY I SUGGEST NEW PIECES TO BE INCLUDED IN THE REPERTOIRE OF THE ORCHPLAY MUSIC LIBRARY?

Certainly. We have already made a selection of 400 representative works but we will be very happy to hear about your suggestions. In a year or two, OrchPlayMusic will be considering the production of commissioned pieces at special conditions.

CAN I INCLUDE "ALIAS-LINKS" AS EMBEDDED DOCUMENTS

Certainly! Drag-and-dropping a document in the EMBEDDED DOCUMENTS area actually creates a copy of that document in the central OrchPlay database on your hard drive; it becomes independent from the original. Drag-and-dropping an "alias" will link the original document itself.

IS THERE A WAY TO MODIFY AN ORCHESTRATION?

To a certain extent, yes. You can select any instrument or any instrumental combinations and modify their balance. One cannot speak of a "new orchestration", but those processes nevertheless have a large influence on the final audio mix.

IS IT POSSIBLE TO "TUNE" THE ORCHESTRA FOR A SPECIFIC PIECE (HERTZ OR CENTS)?

This function is planned for a coming OrchPlay update. The user will be able to modify the global tuning of a multichannel .opl file by + - a semitone without altering speed. This should provide great flexibility for musicians interested in performing their orchestral part with the OrchSim orchestra.

Contact OrchPlay SupportContact OrchPlay Information
© OrchPlayMusic 2016-2021
Contact:
‍info@orchplaymusic.com
À Propos de orchplay

OrchPlayMusic travaille au développement de nouvelles technologies pour l'éducation et l'appréciation musicales reliées à l'orchestration.

Les technologies développées par OrchPlayMusic comprennent le logiciel OrchPlay - premier lecteur audio multipiste dédié à l'étude de la musique orchestrale qui comprend le suivi de partition, la Bibliothèque de musique OrchPlay d'extraits orchestraux en format multipiste et  OrchSim - le simulateur d'orchestre.
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Notre objectif premier est de proposer des outils modernes pour favoriser l’écoute et la découverte de la musique ainsi que le partage des connaissances. Nous souhaitons offrir de nouvelles solutions tant aux enseignants qu'aux étudiants, d’autant plus que l'enseignement à distance est devenu une nouvelle réalité.

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